Ward & Hughes (about 1836 - 1920s)
Stained glass firm based in London which was initially a partnership between Thomas Ward (1808-1870) and James Henry Nixon (1802-1857). Nixon was a pupil of Charles Moss and then worked with John Hedgeland, before setting up a partnership with Thomas Ward in the 1830s, based at Frith St, Soho, in London. Henry Hughes (1822-1883) joined the firm in 1850 and became a partner in 1857. In the 1870s and 80s windows of similar styles were signed as both 'Ward & Hughes' and 'H. Hughes'. After Hughes' death, Thomas Figgis Curtis (1845-1924) took over the firm, although the windows were often still signed Ward & Hughes for a time, and then as T.F. Curtis, Ward & Hughes. In the late 1880s and 90s their windows were often designed by George Parlby.
The firm proved to be one of the most successful studios of their time, and employed a distinctive style. They were more likely to sign their work than many contemporary firms, making their work easier to identify.
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Signatures and maker's marks | Inscription and Signature from Jesus Appears to His Disciples by the Sea of Tiberias 1905 Church of St Tysilio, Bryneglwys, Denbighshire south wall of the nave
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| Signature from Christ Blessing Children Brought by their Mothers 1893 Church of St Peter Ad Vincula, Pennal, Gwynedd south wall of the nave
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| Signature from Virgin and Child with Christ the Good Shepherd 1914 Church of St Mary, Pennard, Swansea east wall of the chancel
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| Signature from Peter's Commission and Christ Anointed at Bethany 1889 Church of St Tydecho, Cemmaes, Powys west wall of the nave
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| Signature from The Ascension 1872 Church of St Tysilio and St Mary, Meifod, Powys east wall of the chancel
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| Signature from Scenes from the Gospels 1877 Church of St Tysilio and St Mary, Meifod, Powys west wall of the south aisle
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| Signature from The Adoration of the Magi 1889 Church of St Tysilio and St Mary, Meifod, Powys east wall of the north aisle
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| Signature from Faith and Hope with Angels 1885 Church of St Catherine, Llanfaes, Anglesey north wall of the north aisle
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| Signature from Christ the Good Shepherd 1910 Church of St Dogfan, Llanrhaeadr-ym-Mochnant, Powys south wall of the south chancel aisle
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| Signature from Of Such is the Kingdom of God 1875 Church of St John the Baptist, Clydach, Swansea south wall of the nave (window number: sIV)
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| Signature detail from An Angel Greets the Three Women at the Empty Tomb 1879 Church of St Llawddog, Llanllawddog, Carmarthenshire east wall of the chancel (window number: I)
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| Signature from St Barnabas and St Paul 1910 Church of St Margaret, Bodelwyddan, Denbighshire west end of the north wall
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| Signature from The Baptism of Christ, with the Baptisms of Cornelius and the Ethiopian Eunuch 1881 Church of St Margaret, Bodelwyddan, Denbighshire west wall of the north aisle
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| Signature from The Good Shepherd with Women Performing Acts of Mercy about 1880 Church of St Margaret, Bodelwyddan, Denbighshire south wall of the chancel
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Further reading'Glass Painters 1750–1850 (Part II)' Journal of the British Society of Master Glass-Painters, vol. xiii, no. 2 (1960–1), 404.
J. Knowles, 'Glass-Painters 1750–1850 (Part III)' Journal of the British Society of Master Glass-Painters, vol. xiii, no. 3 (1961–2), 520-1.
Joyce Little, Stained Glass Marks and Monograms (London: National Association of Decorative and Fine Art Societies, 2002), p. 124.
Martin Harrison, Victorian Stained Glass (London: 1980), pp. 22–3, 36–8, 83–4 and further references.
P. G. B. Binnal, 'Ward and Hughes' Journal of the British Society of Master Glass-Painters, vol. xvi, no. 3 (1979–80), 61–4.
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