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Percy Bacon Brothers (about 1880–1934)

Stained glass studio established by the artist and sculptor Percy Bacon (1860-1935) at several addresses in London and the south east. While at Newman Street in London (1892-1909) he was joined by his two brothers.

Birkin Haward suggested that the firm was still producing windows in the 1950s.

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	The Good Samaritan firm/studio: Percy Bacon Brothers early twentieth century Church of St Caffo, Llangaffo, Anglesey north wall of the nave (window number: nV)
	St Barbara and St Margaret firm/studio: Percy Bacon Brothers about 1908 Church of St Mary, Y Felinheli, Gwynedd north wall of the north transept (window number: nV)
	The Four Evangelists firm/studio: Percy Bacon Brothers probably about 1920 Church of St Nicholas and St John, Monkton, Pembrokeshire south wall of the south transept (tower) (window number: sVI)
	Courage and Victory firm/studio: Percy Bacon Brothers about 1915 Church of St Peter, Carmarthen, Carmarthenshire north wall of the nave (window number: nVIII)
	Two Armoured Figures firm/studio: Percy Bacon Brothers about 1918 Church of St Andrew, Narberth, Pembrokeshire south wall of the nave
	St George and St Nicholas firm/studio: Percy Bacon Brothers about 1918 Church of St Michael, Pembroke, Pembrokeshire north wall of north aisle
	Solomon with a Model of the Temple and Attendant Figures firm/studio: Percy Bacon Brothers about 1920 Church of St Nicholas and St John, Monkton, Pembrokeshire east wall of the north chancel chapel (window number: nII)
	Hiram King of Tyre firm/studio: Percy Bacon Brothers about 1920 Church of St Nicholas and St John, Monkton, Pembrokeshire north wall of the north chancel chapel (window number: nIII)
	Boaz and Jachin firm/studio: Percy Bacon Brothers about 1920 Church of St Nicholas and St John, Monkton, Pembrokeshire north wall of the north chancel chapel (window number: nIV)

Birkin Haward, Nineteenth Century Suffolk Stained Glass (Woodbridge: Boydell, 1989), p. 150.

Joyce Little, Stained Glass Marks and Monograms (London: National Association of Decorative and Fine Art Societies, 2002), p. 6.