Stained Glass in Wales | Gwydr Lliw yng Nghymru

Geoffrey Webb (1879-1954)


Stained glass artist and brother to Christopher Webb. Geoffrey Fuller Webb trained at Westminster School of Art before working for C.E. Kempe and in partnership with Herbert Bryans for a short time. In 1914 he established his own studio in East Grinstead, Sussex.


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  Virgin and Child with King David and Isaiah Virgin and Child with King David and Isaiah
artist: Geoffrey Webb
Church of St Saviour, Splott, Cardiff
east window of the north aisle
  The Annunciation and Visitation    from    Scenes from the Gospels The Annunciation and Visitation
from Scenes from the Gospels

artist: Geoffrey Webb
1928 and 1952
Llandaff Cathedral, Llandaff, Cardiff
Lady Chapel
  The Adoration of the Magi The Adoration of the Magi
artist: Geoffrey Webb
Church of St Cadfan, Tywyn, Gwynedd
south wall of the chancel
  St David, St Idloes and St Deiniol St David, St Idloes and St Deiniol
artist: Geoffrey Webb
1932
Church of St Idloes, Llanidloes, Powys
north wall of the north aisle
  St Michael Overcoming the Dragon St Michael Overcoming the Dragon
artist: Geoffrey Webb
1932
Church of St Idloes, Llanidloes, Powys
north wall
  The Visitation The Visitation
artist: Geoffrey Webb
1934
Church of St Mary, Rhuddlan, Denbighshire
south wall of south aisle
image not available St Trillo Window
artist: Geoffrey Webb
1936
Church of St Trillo, Llandrillo-yn-Edeirnion, Denbighshire
north wall of the nave
  The Boy Christ The Boy Christ
artist: Geoffrey Webb
1943
Church of St Cadfan, Tywyn, Gwynedd
north wall of the north aisle
  Virgin and Child Virgin and Child
artist: Geoffrey Webb
about 1943
Church of St Cadfan, Tywyn, Gwynedd
south wall of the south aisle
  Tree of Jesse Tree of Jesse
artist: Geoffrey Webb
1951
Llandaff Cathedral, Llandaff, Cardiff
east wall of the Lady Chapel
Further reading

W. I. Croombe, 'Geoffrey Fuller Webb (1879–1954)' Journal of the British Society of Master Glass-Painters, vol. xi, no. 4 (1954–5), 243–5.

Joyce Little, Stained Glass Marks and Monograms (London: National Association of Decorative and Fine Art Societies, 2002), p. 126.





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