Medieval Fragments
about 1460 and 1500
Two lights mounted in front of a two-light window composed of fragments.
Church of Corpus Christi, Tremeirchion, Denbighshiresouth wall of the nave
A range of fragments which suggest a number of subjects. Most prominent is a female figure in the right-hand light, thought to be St Anne. The figure has been put forward as the mirror image of a depiction of St Anne at All Saints, York, in a scene where she is teaching Mary to read. The York window is dated 1440, and this fragment is probably later than this date. The similarity with the mid-fifteenth century work at Over Peover (Cheshire) is more certain.
Also present are bones from the foot of a crucifixion, a devil from either a doom scene or depiction of Michael, a wheel perhaps suggesting Catherine, fragments of the creed suggesting the presence of apostles, and angels. (ObjectID=2164 ImageID=6688) Original File Name=Tremeirchion_DSC8672.jpgRecord added by Martin Crampin. Last updated on 13-12-2011
For other views of this work click on the image(s) below:For other artworks containing these subjects please click on the links below: Click here for other works at this siteFurther readingMostyn Lewis, Stained Glass in North Wales up to 1850 (Altrincham: John Sherratt and Son Ltd, 1970), pp. 93-4.
Penny Hebgin-Barnes, The Medieval Stained Glass of Cheshire (Oxford: Oxford University Press, 2010), pp. clxi-iii.
Painton Cowen, A Guide to Stained Glass in Britain (London: Michael Joseph, 1985), p. 221.
ReferencesMartin Crampin, Stained Glass from Welsh Churches (Talybont: Y Lolfa, 2014), pp. 32–3.
Edward Hubbard, The Buildings of Wales: Clwyd (Harmondsworth/Cardiff: Penguin/University of Wales Press, 1986), p. 448.
Click to show suggested citation for this recordMartin Crampin (ed.), Stained Glass in Wales Catalogue, University of Wales Centre for Advanced Welsh and Celtic Studies, Aberystwyth, 2011.
https://stainedglass.delweddau.cymru/object/2164 (accessed 23 November 2024)
View this object on the Imaging the Bible in Wales database
Photo © Martin Crampin
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