Agnus Dei with IHS
detail from Scenes from the New Testament

Photo © Martin Crampin

Detail from the tracery lights.

larger image

about 1860

Three-light window with three main scenes depicting the Christ rising from the tomb (centre), Christ raising of the son of the widow of Nain, and Peter and John healing the beggar at the Beautiful Gate. Decorative paterning above and below, with various Christian symbols in the tracery including cross with symbols of the Passion, angel blowing a trumpet, pelican feeding her chicks, Agnus Dei, alpha and omega and IHS monogram.



Church of St Cadwaladr, Llangadwaladr, Anglesey
north wall of the Meyrick Chapel (window number: nIII)

Given by Owen Fuller Meyrick in memory of his parents Augustus Elliot Fuller and his wife Clara.


 (ObjectID=612 ImageID=6513) Original File Name=Llangadwaladr_MG_2064.jpg

Record added by Martin Crampin. Last updated on 19-08-2019

 

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• Christ touches the bier of the son of the widow of Nain: the young man sits up - miracles of Christ  [Luke 7:14-15]
• Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers 
• healing of a lame beggar at the Beautiful Gate of the temple by Peter and John  [Acts 3:]

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• alpha and omega - symbol of God the Father  [Revelation 1:8; Revelation 1:11; Revelation 21:6; Revelation 22:13]
• cross as symbol of Christ 
• IHS ('Iesus Hominum Salvator') - symbol of Christ 
• lamb bearing cross or banner, 'Agnus Dei' - symbol of Christ 
• Pelican in her Piety 
• the instruments of the Passion and the five wounded limbs 

This light is not of Salome with James and John. It depicts the raising of the son of the widow of Nain. She kneels at the feet of Jesus while her son sits up, arms across his chest. The other figures at the right and left of the image are carrying his bier.
Submitted by: Jeff Hopewell (2019-08-15 09:22:16)
Editor's response: Thank you very much for drawing my attention to this image again. I agree that this does not look like Christ with Salome, James and John, and I am not sure where this interpretation came from. The figures do seem to fit the raising of the son of the widow of Nain, and I will change the entry accordingly.

Photo © Martin Crampin

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